![]() Roger McGuinn will appear as the headline attraction at the World of Bob Dylan conference, in conversation with music journalist Jeff Slate, on Saturday, June 1. Unexpected influences make themselves heard in the Beach Boys harmonies of "Draggin'" (with Bruce Johnston of the Beach Boys on piano and backup harmonies), the Vietnam blues of "Hanoi Hannah," and the gospel-rock of "Stone. MaThe Bob Dylan Center welcomes Byrds founder Roger McGuinn to the World of Bob Dylan conference on Saturday, June 1 at 8 p.m. McGuinn sped up the timing, made some other changes, and added what would become his trademark sound - his 12 string electric Rickenbacker guitar. Tambourine Man' from Dylan, but David Crosby hated it. At 14, he took up guitar and soon attended the Old Town School Of Folk Music. According to McGuinn, the Byrds first record contract was only for a single, so they had to make it work. ![]() The principal members were Roger McGuinn (original name James Joseph McGuinn III b. Some of the songs aren't so hot, some of the Moog synthesizer (by McGuinn) is unnecessary, his vocals sometimes seem to have been recorded with too much brittleness, and none of this is as good as the best of the Byrds. James Joseph McGuinn III was born in Chicago to Dorothy and James Jr. the Byrds, American band of the 1960s who popularized folk rock. The following year’s Eight Miles High, propelled by McGuinn’s dizzying Rickenbacker riff, ushered in a new era of space-rock, while 1968’s Sweetheart Of The Rodeo album brought country to the hippie crowd. When Roger McGuinn phoned into Rolling Stone. As likable as it is, however, the album isn't an unqualified triumph. He was singer and guitarist with The Byrds, whose 1965 chart-topping take on Dylan’s Mr Tambourine Man bridged the gap between folk and rock. Roger McGuinn discusses his new tribute to the Byrds' 1968 album with Marty Stuart and Chris Hillman, and rules out a full-fledged Byrds reunion. All four of the other original Byrds play on "My New Woman," which is virtually a reunion of the original quintet, with the addition of saxophone by jazzman Charles Lloyd David Crosby makes unobtrusive cameos on some other tracks. It may contain wrinkles, cracks, and possibly even tears due to its age and how it was handled before it got to us. ![]() Never was it folkier than on the acoustic "I'm So Restless," which benefited from harmonica by Dylan himself (about whom the song was partially about). In a sense, it's a back-to-basics album that emphasizes much of what McGuinn does so well: his forceful reedy vocals, his guitar playing, and his skills at both writing earnest folk-rock material (usually with future Bob Dylan collaborator Jacques Levy here) and interpreting unusual traditional and contemporary songs. Roger McGuinn's 1973 self-titled solo debut was in most respects a breath of fresh air after the final days of the Byrds, in which the group was floundering in directionless mediocrity.
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